![]() Production started in August in Atlanta, with 150 original half-hour episodes planned for the Monday-Friday daytime strip. Like most court shows, Cutlers Court is being sold on an all-barter basis and will air as double runs in most markets. That’s made it a good time to get into the syndication space.” “We know that there are available time slots for our show. “The departure of other court shows left a vacuum that we’re filling,” Tom Cappello, executive producer and co-founder and CEO of Crazy Legs, said. and it’s been picked up in 17 of the top 20 markets on stations from such groups as CBS Television Stations, Sinclair Broadcast Group, Nexstar Media Group, Gray Television, Weigel Broadcasting, Tegna and E.W. MGM, which was acquired by Amazon in 2022, has since exited the court business.Ĭutlers Court is cleared in more than 80% of the U.S. The married couple from Kansas City are both lawyers who cut their court-show teeth on MGM’s Couples Court With the Cutlers, which ran in original production from 2017-20. This fall, Atlanta-based Crazy Legs Productions is rolling out Cutlers Court, starring Dana and Keith Cutler. Husband-and-wife judges Dana and Keith Cutler are reconvening in syndication with a new offering, Cutlers Court. We are helping TV stations to capitalize on the category and hold on to it.”īesides AMG, there are others out there who are willing to take swings. There are plenty of law firms that are advertising and they like the environment of court shows. “Legal is a very important advertising category for local TV stations. “We made a conscious choice many years ago to be the leader in the space,” Allen, founder, chairman and CEO of AMG, said. It’s a model that others are seeking to emulate. AMG owns its shows outright and also offers them on its own streaming and cable networks, creating ancillary revenue streams. AMG tends to bundle these shows into blocks, cume the ratings and sell advertising across the entire block. Williams as AMG rolls out three more court shows this fall, bringing its total court offering to nine. ![]() Those shows - Justice for the People With Judge Milian and Mathis Court With Judge Mathis - join Equal Justice With Judge Eboni K. “It’s to the point where we make more money on streaming than we do on the broadcast.”Īrguably the winner of the court fallout is Byron Allen’s Allen Media Group, which snapped up People’s Court’s Judge Marilyn Milian and Judge Greg Mathis and gave them both their own new shows. ![]() “Older episodes of Divorce Court have dedicated channels on different platforms and it plays all over the place,” said Stephen Brown, executive VP, programming, Fox Television Stations and Fox First Run. Divorce Court stays in the black by airing on other platforms. Of all the court shows that have aired in recent years, only two standalone shows remain in original production: CBS Media Ventures’s Hot Bench, which was created by Judge Judy Sheindlin, and Fox’s Divorce Court, which features Star Jones and is now headed into its 25th season. Those repeats are also being offered to stations, although so far there haven’t been takers due to the seller seeking cash license fees in a cash-strapped market. True-blue Judy viewers can find her in originals on Amazon Freevee, where she stars in a Judge Judy lookalike, Judy Justice. They are joined by MGM’s block of court repeats - Paternity Court With Lauren Lake, Personal Injury Court and Couples Court With the Cutlers - which run on stations under the title “Relationship Court.”Īlso concluding its run is Wrigley Media’s Relative Justice, starring Judge Rhonda Willis, which aired in first-run syndication for three seasons. All three of those shows remain on TV stations in repeats. Discovery earlier this year canceled The People’s Court, which aired in syndication for 26 seasons, and Judge Mathis, which ran for 24. CBS Media Ventures’s Judge Judy completed original production in 2021, while In the past two years, three of the genre’s major shows have ended. But the dwindling daytime audience is making it difficult for stations to keep low-cost court shows on the air, which is why even lower-cost repeats are becoming prevalent. That’s why court shows are so appealing in those hours: An entire year of programming can be produced within a few weeks and the shows can be sold on a station-friendly, barter-only basis. ![]() is that it has become very hard for stations to make money in those time slots. The challenge with daytime - the hours between 9 a.m.
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